Rock Of Ages The Musical Script _top_ Now

| Character | Description in Script | Vocal Style | |-----------|----------------------|--------------| | | The romantic lead; a busboy with a heart of gold and a Bon Jovi haircut | High rock tenor (Glee-style pop rock) | | Sherrie Christian | The ingenue; aspiring actress from Kansas; tough but vulnerable | Belter (Pat Benatar range) | | Lonny Barnett | Narrator/sound guy; sarcastic, gay-coded in many productions, but the script says “your best friend who won’t let you take yourself seriously” | Baritenor, speaks more than sings | | Stacee Jaxx | The fallen rock god; a parody of Axl Rose + Bret Michaels. The script notes: “He has an ego the size of a tour bus.” | High tenor, screaming permitted | | Dennis Dupree | Owner of the Bourbon Room; tired but loyal | Character voice (non-singer in early drafts) | | Hertz & Franz | German developers. The script explicitly calls for bad German accents and matching leather pants. | Baritone / spoken with musical underscoring |

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The show takes place in in Los Angeles. It is the height of the "hair metal" era—a world of big hair, spandex, leather, and excessive hedonism. The narrator is Lonny , a sound technician and resident "dramatic prophet" who breaks the fourth wall to guide the audience through the story. The musical is a "Jukebox Musical," meaning the story is woven together using hit rock songs from the 80s (by bands like Journey, Styx, Bon Jovi, REO Speedwagon, and Twisted Sister). | Character | Description in Script | Vocal

Drew grabs a mop and lip-syncs dramatically to “Anyway You Want It” by Journey. Sherrie laughs. Dennis bursts in. | Baritone / spoken with musical underscoring |

(Beaming) Wait— the Stacee Jaxx?

When analyzing the script for casting or audition purposes, these are the core roles to consider:

The show's script demands a high-energy, concert-like production, frequently employing theatrical techniques like meta-fiction, character-driven subplots, and integrated musical numbers that function as both emotional drivers and comedic commentary.