Yanni Voices Live From The Forum In Acapulco ((exclusive))

It introduced a new generation of singers to a global audience.

Even years later, fans revisit this performance for its emotional depth. It remains a standout in Yanni’s videography, sitting alongside his historic concerts at the Acropolis and the Taj Mahal. It humanized the music through the power of the human voice.

A touching tribute to Latin culture.

Yanni Voices: Live from the Forum in Acapulco (2009) marked a major artistic shift for the artist, introducing vocalists and lyrics to his classic instrumental repertoire. Filmed over four nights in Mexico for PBS, the production showcased young vocalists Nathan Pacheco, Chloe Lowery, Ender Thomas, and Leslie Mills, featuring both new songs and re-imagined compositions. For more information, visit Yanni Voices: Live From The Forum In Acapulco - Amazon.com

To honor the host country and celebrate Latin music, the Acapulco concert featured incredibly special guest appearances from massive Latin music superstars. yanni voices live from the forum in acapulco

A Yanni concert is a fraternity of virtuosos. Voices showcases perhaps his greatest "band of misfits." There is violinist Samvel Yervinyan, whose fingers move so fast they blur the 1080p video. There is vocalist Nathan Pacheco, whose classical training allows him to hold a note that seems to physically defy the laws of breath control. And there is Pedro Eustache—the "one-man wind section"—who plays everything from the Duduk (an ancient Armenian woodwind) to the Western flute with equal spiritual gravity.

The Forum itself offered a state-of-the-art amphitheater environment that allowed for pristine audio recording and dazzling visual production. The Mexican audience brought an unparalleled energy to the venue. Their warmth, enthusiastic standing ovations, and deep appreciation for the romantic nature of the music elevated the performers, making the live taping an electric, unforgettable event. Concert Highlights and Musical Transformations It introduced a new generation of singers to

Comparative Analysis within Yanni’s Discography Voices — Acapulco sits between Yanni’s earlier instrumental-dominant releases and later multimedia concerts that increasingly foregrounded cultural collaboration (e.g., performances with local ensembles or choirs). The addition of vocals aligns with late-1990s trends where crossover instrumentalists sought mainstream engagement through song forms. Compared to Live at the Acropolis, Voices — Acapulco is more vocally oriented and places greater emphasis on accessible hooks and singer-centric moments.