Madrid 1987 Imdb Official

However, other critics were less enthusiastic. The New York Times's Jon Caramanica called it a "sweet, sometimes dull and certainly overlong film," while the Los Angeles Times's Sheri Linden felt that "the action doesn't quite transcend the stagy setup". Fionnuala Halligan of Screen Daily was even more blunt, stating that it is "hard to think of a movie less cinematic than Madrid, 1987," suggesting it might have worked better as a play.

The film operates as a psychological character study and a sociopolitical allegory: Madrid, 1987 (2011) - IMDb

To help you get the exact information you need about Madrid, 1987 , tell me if you want to explore: The listed on its IMDb page Behind-the-scenes trivia regarding the challenging shoot

is a valuable resource for gauging the audience reception of this film. While it is highly praised by critics for its dialogue and performances, user reviews often highlight a polarized reception. Madrid 1987 Imdb

The story follows , a bitter, aging journalist and professor, and Ángela , a young, ambitious journalism student.

Released in 2011, Madrid, 1987 is a dialogue-driven Spanish drama directed by David Trueba that explores the complex power dynamics between two generations. The film is set almost entirely within the cramped confines of a bathroom, turning a potentially salacious premise into a "verbose dissertation" on life, art, and politics. Plot Overview The story follows (José Sacristán), a cynical, aging journalist who meets

By stripping the characters (both physically and through their stripping of each other's arguments), the film forces a raw confrontation with their true selves. 3. Direction and Performances However, other critics were less enthusiastic

: You can find more details, including user ratings and technical specs, on its official IMDb page .

is a critically acclaimed 2011 Spanish minimalist drama directed by David Trueba that functions as an intense, dialogue-driven battle of wits. The film, which premiered at the San Sebastián International Film Festival and competed at the 2012 Sundance Film Festival , stars veteran actor José Sacristán and María Valverde. Set during Spain’s complex cultural transition period, it utilizes a highly restrictive, claustrophobic premise to strip down its characters both literally and figuratively. Production Profile & Critical Overview Madrid, 1987 (2011) - IMDb

A veteran of Spanish cinema, Sacristán delivers a masterclass in acting. His IMDb filmography spans decades, and his performance here as a bitter yet brilliant writer is highly acclaimed. The film operates as a psychological character study

Miguel represents the disillusionment and fading arrogance of a passing era, while Ángela embodies the burgeoning independence and skepticism of the "new" Spain. Power Dynamics: The narrative explores the struggle between Miguel’s intellectual power and Ángela’s sexual power Vulnerability:

Madrid (1987) serves as a cinematic time capsule of a city redefining itself: intimate, observational, and emotionally resonant. It’s less about plot than portraiture — an empathetic study of ordinary lives navigating rapid cultural transformation.

"Madrid, 1987" is essentially a dissection of the male ego. Miguel spends much of the film trying to seduce Ángela through intellectual gymnastics, justifying his desires with philosophical ramblings. The film critiques the "intellectual predator"—a man who uses his status and wisdom as a weapon to obtain youth.

Viewers search for Madrid, 1987 on IMDb primarily because it is a "chamber film"—a movie shot almost entirely in one room. It appeals to audiences who enjoy character studies like Before Sunrise or My Dinner with Andre , where the narrative engine is driven entirely by conversation. It serves as a fascinating time capsule of late-1980s Madrid, exploring the clash between the generation that survived the Franco dictatorship and the youth born into newfound freedom.

: Miguel's friend, whose apartment serves as the film's primary setting. Though he has only a brief appearance at the beginning and end, his presence as the absent owner of the space adds another layer of voyeuristic tension to the story.