Sony Phantom Luts -
Q: Can I create my own Sony Phantom LUTs? A: Yes, you can create your own LUTs using color grading software or by working with a colorist.
: In DaVinci Resolve or Premiere Pro, always set 3D LUT Interpolation to Tetrahedral for smoother color transitions. Node Workflow (DaVinci Resolve) : Node 1 : Exposure and White Balance adjustments. Node 2 : Secondary color corrections. Node 3 : Apply the Phantom LUT (at 100% strength initially). 4. Where to Find Them
If you shot in S-Gamut3 (full) but apply a LUT designed for S-Gamut3.Cine, your reds will look neon and your blues will clip. Double check your camera settings.
Phantom LUTs, created by Joel Famularo, are professional-grade conversion tools specifically designed to give Sony cameras the color science and organic look of an ARRI Alexa sony phantom luts
Phantom LUTs are sold in camera-specific tailored packages (e.g., specific profiles for the A7S III/FX3, FX6, FX9, and older FS7/Alpha marks) because different Sony sensors require unique mathematical translation matrices. The collections are broadly divided into two main categories:
Arguably the most famous. Joel designed these specifically for the Sony FX3 and FX6 to mimic the ARRI Alexa 35. The "Tone" version is a fan favorite for its aggressive highlight smoothing. These are the gold standard for the "Phantom" look.
It sounds like a contradiction: (the camera) and Phantom (the legendary high-speed cinema camera by Vision Research) are two completely different technologies. So, why are people trying to make a Sony look like a Phantom? Q: Can I create my own Sony Phantom LUTs
Furthermore, the LUTs handle complex colors beautifully, featuring cool, rich greens and blues that skew towards a modern, cinematic turquoise without looking artificial. This instant improvement saves hours of meticulous color grading in post-production.
They typically come in 33x versions (optimized for in-camera monitoring and efficiency) and 65x versions (high-resolution for precision editing in post-production). Key Features and Benefits
Sensors like the one in the α7III and FS5 are famous for a greenish tint in the shadows. High-end Phantom LUTs actively suppress this green hue, shifting magenta hues into the midtones to create a more balanced, "organic" negative. Node Workflow (DaVinci Resolve) : Node 1 :
Phantom LUTs are sold in targeted bundles depending on the desired creative outcome. Each camera profile pack contains options specifically tailored for S-Log2 or S-Log3 gammas.
Unlike basic 1D LUTs, Phantom LUTs are sophisticated 3D transforms offered in two primary resolutions: Joel Famularo : High-resolution versions intended for Post-Production