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Upon its release, the film divided audiences. Some praised its bold visuals and unapologetic exploration of Brazil’s dark history, while others criticized its graphic content for potentially trivializing the experiences of actual survivors. Scholars have argued that the film’s aesthetic choices—such as stark lighting and fragmented narratives—mirror the disorientation of its characters. Yet, its raw depiction of violence and exploitation has drawn comparisons to earlier Brazilian cinema, such as Cidade de Deus (2002), which also grapple with moral ambiguity.
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